Nine years ago, my colleague Andrea Elliott set out to report a series of stories about what it was like to be a homeless child in New York City. As part of her reporting, she soon met a girl in Brooklyn named Dasani — “a spunky 11-year-old with big dreams and no home,” as Andrea has described her.
The five-part series that The Times published in 2013 turned Dasani into a public figure. Readers donated money to help her. Bill de Blasio, the incoming mayor who promised to reduce income inequality, said, “We can’t let children of this city like Dasani down.” At the 2014 inauguration for de Blasio and other top officials, Dasani held the bible for Letitia James, the new public advocate, who called Dasani “my new BFF.”
This morning, The Times Magazine has published a new story by Andrea that follows Dasani in the years since the spotlight left her. It makes for gripping, and at times difficult, reading.
Much of it is set at the Milton Hershey School, a tuition-free school in Pennsylvania, which the chocolate magnate founded in 1909 to educate poor children. Part of the school’s guiding philosophy is that its students must largely separate themselves from their families to escape poverty, and Dasani struggles with this miserable dilemma. She alternates between excelling and struggling at school, while her mother and siblings back in New York cope with new setbacks of their own.
“I felt like I did something wrong,” Dasani said, about leaving home. At night, she misses sleeping in the same bed as her toddler sister, Lee-Lee.
The story ends in the present day — on a worse note than I had hoped as I was reading it and a better one than I had feared. It offers no tidy policy solutions, yet it is as relevant today as Andrea’s series was in 2013. Once again, New York is about to have a new mayor, and the person likely to have the job is vowing to address the enduring problem of homelessness in one of the world’s wealthiest cities.
You can read the story — and see photos by Ruth Fremson — here.
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The music in the first installment of the Final Fantasy series in 1987 was limited to a handful of electronic sounds. But technology evolved, and by the late 1990s, the games featured live orchestral recordings. Nobuo Uematsu, who composed scores for the first nine installments of Final Fantasy, has drawn on influences as varied as Led Zeppelin, Elton John, Celtic music and classical music.
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